Ships of Hagoth is a digital-first literary magazine featuring creative nonfiction and theoretical essays by members of the Church of Jesus Christ of Latter-day Saints. Where other LDS-centric publications often look inward at the LDS tradition, we seek literary works that look outward through the curious, charitable lens of faith.
Ships of Hagoth is pleased to announce its first book-length message in a bottle, AND ALL ETERNITY SHOOK, by
Jacob Bender, released April 2022.
Jacob L. Bender is also the author of Modern Death in Irish and Latin American Literature (Palgrave Macmillan, 2020), a work similarly rooted in his Puerto Rican mission service and his mother's passing. In LDS studies, he has previously written for Dialogue, Sunstone, Peculiar Pages, Ships of Hagoth, the Eugene England Foundation, and The Association of Mormon Letters.
Enraged, he wrestles with his God in passionate prayer as he pleads for her life; images and memories of his mission and his Mom jump, cut, and splice together in a cinematic crescendo, flashing furiously before his eyes as though he were the one dying and not her; all as he feels after some miracle, some impossibility, and the peace which surpasses understanding.
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A CALL FOR
We are hoping—for “one must needs hope”—for creative nonfiction, theoretical essays, and craft essays that seek radical new ways to explore and express theological ideas; that are, like Hagoth, “exceedingly curious.”
We favor creative nonfiction that can trace its lineage back to Michel de Montaigne. Whether narrative, analytical, or devotional, these essays lean ruminative, conversational, meandering, impressionistic, and are reluctant to wax didactic.
As for theoretical essays: we welcome work that playfully and charitably explores the wide world of arts & letters—especially works created from differing religious, non-religious, and even irreligious perspectives—through the peculiar lens of a Latter-day Saint.
We read and publish submissions as quickly as possible, and accept simultaneous submissions.
Back around the turn of the Millennium in the Pacific Northwest, I recall always having to leave early-morning Seminary early in order to arrive at Jazz Band practice late, so that nobody would be happy.
“It is easier to imagine the end of the world than the end of capitalism;” Nephi Anderson actually imagined it!
No one’s getting out of here alive.
Shall the Youth of Zion falter?
And the silence becomes a chorus
My cousin, my intuition, and the Westminster Confession are telling me no, so wouldn’t it be
thrilling to run up the slide on this one?
Of how fraught it is to have faith as a mustard seed.
To seek not for power, but to pull it down.
The more things change, the more they stay the same.
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